Chronicle of Amaya's concert in Navara Arena.the singer's most special night

He dazzled the more than 12,000 attendees who filled the arena with a very complete performance on his 27th birthday

It was a special night for Amaya: the first concert of the first year, the second part of this tour, which will take place in six major venues throughout the country, where she played for the first time in Plaza Navarroa (until now, in Pamplona, ​​she played in front of smaller venues such as Gayarre Antzokia, Baluarte and Ciudadela) and, as if that wasn't enough, it was also her birthday.

The public responded to his appeal in the best possible way and all tickets were sold out.At 8:31 p.m., the lights went down and Amaya took to the stage to play "Vision," the dreamy opening song from her latest album, "Si abro los ojos no es real," on the piano.Without a moment's delay, the horse's hooves began to make a "tokoto" rhythm.This song was a song in which the singer praised Marisol, followed by "Magia en Benidorm," in which Marisol danced on the big stage.Finally he could no longer contain himself and greeted his city with the compassion and confidence that thousands of people loved him, singing Happy Birthday from the first moment.

Now his players are gone, while they lived behind, leaving the lights and protagoonnis of SYa Sajef to say, get along with the view of the maritime war, in his team.

Several cameras followed his every move to serve two large screens on either side.So, the vision is perfect from anywhere in the Arena, and the same can be said about the sound, which reaches the back of the pavilion with clarity.They continued with the sinuous Nanai, full of percussion and content, which merged with La tarara, with Amaia again sitting at the piano while her face showed the screen with images of video games.

He stayed at the keys to begin their announced second act, opening with "Cest La Vie," in which a sextet suddenly appeared to embellish the song's finale with strings and brass.The surprises continue: Papa Levante's "Mi Pango Colorada", which sounds full of the majesty of an aria, marks the passage of emotional accompaniment that Amaya dedicated to her mother.And then, just like that, artist Veena plays

with 12 musicians

Behind him, twelve musicians cleverly take up a text in which they reflect on death.Maybe it's because of the depth of the text, but it's rarely (if ever) possible to contemplate a place the size of a Navara arena in silence.Twelve thousand souls listen with bated breath.One of the best moments of the evening came with his version of Santos Que Yo Te Pinte, Los Planetas, between symphonic, alternative and electronic.

Then came the Third Act, which was not the last, for we had a long night ahead of us, but it was the hardest of the sixteen choruses.In this segment, they played songs like Fantasma or Despedida dedicated to their grandmothers, while Amaya banished the fear of death and the celebration of life (and tapped her heels).Deploying resources was not in vain, and it sounded like fame.Sixteen choirs were not enough, and Amaya was in the midst of meticulous choreography, beaming with excitement as thousands of singers joined Yo's invitation to sing the chorus.

For the fourth act they have booked the most catchy and electronic songs in their repertoire.The singers and members of the symphony withdrew, leaving Amaia with her band.The turn of M.A.P.S., Giratutto (which has more "disco" lighting), The Encounter or The Song I Don't Want to Sing to You (with the ending "bisbalizado" on the sound "Ave María, when will you be mine").Amaia's first published composition, Quedará en Nuestro Mind, served as a false ending to the concert, with the entire audience singing and dancing.

We played for over ninety minutes and no one could believe it was over.There are still codas full of emotion: the traditional giant zorongo, performed by Amaya on piano and voice (what a piano...and what a voice!);But one last tip: welcome to show.amazing.